Throwback at “Aria”, the incredible show by Zenit Aerial Ballet in Marseille’s Old Port as part of the end-of-year festivities organized by the city. We are very pleased to have contributed to the realization of this extraordinary project as curator and producer alongside the City.
Pics by Etienne Bluteau, Maïté Baldi, Paku Photographie, Ryan Layechi
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Scenitz is one of the guest curators of the Lumino festival organized by the Quartier des Spectacles Partnership in Montreal. As part of this event, discover the images of Les Voyageurs by French artist Cédric Le Borgne. Elusive explorers who contemplate the city, Les Voyageurs bring a touch of poetry to the urban space.
Photos: Cédric Le Borgne
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Emilien Guesnard and Scenitz Productions were in charge of part of the light show in the town of Saint-Genis Laval on December 6, with three custom-made installations.
Les Scintillons (Pia Vidal): for thousands of years, in Saint-Genis-Laval, the Light has been preparing itself. Hidden in the walls, stone, and concrete, it has infused itself into the fabric of the city, waiting for its moment. Today, it awakens to flood the world of humans once again. On the occasion of the Festival of Lights, guided by six Scintillons, it emerges from the shadows to reveal its messages to you.
Psychedelic Light Show (Emilien Guesnard & Cédric Beron): created from Emilien’s personal collection of vintage projectors, the Psychedelic Light Show offers a true alchemy of living light, projecting ever-changing shapes in a seventies atmosphere.
Moving Shadow (Emilien Guesnard): a light, a circular movement: almost nothing. Yet the rotation creates shadows that stretch, slide, and recompose themselves around the viewer. Everyone sees their body become a moving, fragile trace, redrawn with each turn. Moving Shadow offers an experience where light reveals presence as much as it makes it flicker.
Photos: Alban Guerry-Suire
Artists: Emilien Guesnard, Pia Vidal, Cédric Beron
Programming & production: Emilien Guesnard & Scenitz
Coproduction: Saint-Genis Laval City
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Organ stood at the foot of Linköping Cathedral in Sweden throughout November, echoing the building’s architectural lines with finesse and poetry.
Organ reimagines the grandeur of the instrument as a sculptural body of light. Rising from the ground, elongated tubes recall the organ’s pipes, their radiant surfaces stretching skyward in a gesture of ascension. The installation becomes both instrument and architecture, an illuminated presence that commands attention with its vertical rhythm. Through carefully choreographed sequences of light and sound, Organ unfolds like a living composition, immersing visitors in an atmosphere at once solemn and magnetic. More than an object, it is an experience, a luminous organ whose voice resonates through space and within the viewer.
Photos: Nicolas Paolozzi
Artist: Nicolas Paolozzi
Sound design: Baptiste Martineau
Production: Module
Distribution: Scenitz
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Last November, Anastasia Isachsen’s Point of (No) Return was featured at Durham’s must-see Lumière festival.
Point of (No) Return is an evocative interactive installation that transforms the audience into co-creators of a visually captivating experience. As viewers step into the spotlight in front of the circular installation, luminous ice melts into flowing water. When they step back, the ice freezes again.
This dynamic spectacle raises critical questions about our relationship with the environment: Is it too late to save our world? Are we at a point of no return, or is there still hope?
Photo : Lumiere Durham
Artist: Anastasia Isachsen
Interactive conception: Tranversal Studio
Music: Nils Petter Molvær
Production: Fjord Studio
Distribution: Scenitz
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Nicolas Paolozzi’s web installation was in Zurich from November 19 to December 7, as part of the Zauberpark festival, which offers the public an international music and arts program over several weeks.
Web expands into space as a vast net, suspended above the ground like an otherworldly spider’s creation. Cords stretch from a central spine and anchor to the landscape, forming a fragile yet commanding volume. Laser light fractures into countless luminous points, racing along the threads like signals through an invisible network. Blending minimal materials with large-scale impact, the work transforms simplicity into spectacle. This network that connects us has reshaped our relationship to the world. WEB reveals its ambivalence: captivating yet potentially perilous. Have we woven a web that unites us or one that holds us captive?
Photo : @cemerk85
Artist: Nicolas Paolozzi
Sound design: Baptiste Martineau
Production: Module
Distribution: Scenitz
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PRISMA festival, a leading new media and light art event in the municipality of Aveiro on the Portuguese coast, took place from October 8 to 11 with a special theme: “the shape of things.” It was an opportunity to explore the possibilities of geometry, perception, and creation. With its 200 nautical lamps, Order 2OO evokes the duality between order and disorder. The intersection of lines and points of light obscured by mist creates chaos in this enclosed space. Set to a musical composition by Cédric Beron, this installation uses perspective to suggest a mesmerizing depth, regardless of where you view it from.
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From September 12 to 14, 2025, the village of Borgo was transformed into an open stage where the dialogue between works of art and heritage offered a new reading of the latter.
The works Asklipion and Octo by artist Emilien Guesnard joined the program of eight light, sound and visual installations that punctuated an astonishing nocturnal stroll through sacred, hidden and natural places.
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In association with the Marseilles-based Folks team, Scenitz is in charge of production management for the Été Marseillais festival organized by the city of Marseilles, with artistic direction provided by the B-PM and Maison Gutenberg agencies. Nocturnes in museums, concerts on a floating stage on the Old Port, parties in museums, parks & gardens, projections under the stars: summer in Marseille takes on the air of an intergenerational, accessible and popular festival. A festival faithful to the values of inclusion and sharing, making culture a common good and a driving force for social cohesion at the heart of a sunny, generous city.
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We are delighted to announce that Scenitz is one of the guest curators for the next edition of Lumino festival, one of the main light & digital art festival in Canada, produced by Quartier des Spectacles Partnership
Join us in Montreal from November 2025 to March 2026 to discover the program
Photo: Organ installation by Nicolas Paolozzi / taken by Alban Guerry-Suire
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